This collection of lithographs layered with watercolor and colored pencil explores the intersection of color, transparency and light. With the greenhouse and conservatory imagery, the layering transforms rigid structures into abstracted geometries, inviting an interplay between visibility and concealment, blurring the original architecture with imagined spaces.
The floral prints are illuminations of color and luminosity.

Church of Universal Acceptance, 60wx44h, lithograph with watercolor and Swedish paper

Reflection House, 30wx22h, lithograph with watercolor and Swedish paper

Greenhouse Yellow Path, 30wx22h, lithograph with watercolor and Swedish paper

Greenhouse Atop, 30wx22h, lithograph with watercolor and Swedish paper

April's Garden, 44wx30h, lithograph with watercolor and Swedish paper

Imposing Transparency, 30wx22h, lithograph with watercolor and Swedish paper

Natural Standards, 22wx30h, lithograph with watercolor and Swedish paper

Dark Visions, 30wx44h, lithograph with watercolor and Swedish paper

Geometry Overhead, 22wx30h, lithograph with watercolor and Swedish paper

Meet Me Here, 22wx30h, lithograph with watercolor and Swedish paper

No Longer Visible, 30wx22h, lithograph with watercolor and Swedish paper

A Ha Ha Creates an AHA, 22wx30h, lithograph

While Standing in a Ha Ha, 22wx30h, lithograph

Interior, 30wx22h, lithograph with watercolor and Swedish paper - SOLD

Glasshouse on the Lake, 22wx30h, lithograph with watercolor and Swedish paper

East House of Glass, 22wx30h, lithograph with watercolor and Swedish paper

House and Garden, 60wx44h, lithograph with watercolor and Swedish paper

Abraham Lincoln and 19th Century American History

Around. Circles.

julie cowan | artist